Hey All! This week
we watched The Sword in the Stone.
When I was a kid, this was one of my favorite movies. I remember
watching it all the time, though admittedly, I haven’t seen it
since I was young and I didn’t remember much of the movie itself.
This was a good opportunity to look back at what I liked as a kid and
to judge my previous tastes. In short, I’m still not quite sure how
I feel.
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Original Poster Sourced via IMDB |
Summary:
The film starts by
explaining the eponymous Sword in the Stone legend. In short, there’s
a sword stuck in a rock in London; whoever pulls it out is king of
Britain. Our main character, Arthur, is on a hunting trip with his
brother Kay. While on this trip, he falls into Merlin the Wizard’s
house. Merlin takes an interest in Arthur and decided to be a mentor
to Arthur. They run into difficulty with Arthur’s adoptive father,
Sir Hector. Eventually, Merlin becomes frustrated with Arthur and
decided to leave. Arthur goes with Kay to a tournament in London
where he accidentally pulls the Sword in the Stone out. He is crowned
as king and is fearful of this responsibility, but Merlin returns to
let him know everything will be alright.
So,
I’ll start with the good. This movie has a lot of fun scenes.
Pretty
much every scene with Merlin educating Arthur, as well as the Wizard
Duel, are fun. The music in the movie is pretty good and there’s
some decent music scenes, with standouts being “Higitus Figitus”
and “That’s What Makes the World Go Round.” In
particular, “Higitus Figitus” seems to be an attempt to recapture
the magic from “Bibbidi-Bobbidi-Boo” and, while not as magical,
it is a fun, memorable scene.
Overall,
the film is well paced and doesn’t overstay its welcome; I remained
entertained the whole time I watched it.
Let’s
talk about the art of this movie. Again, the art has the same sketchy
quality that 101
Dalmatians
had. Everything is sketchy, the colors in the background are
sometimes outside the lines, everything is a little slapdash. The
animated objects seem to float on the backgrounds, which is
particularly noticeable in the early scene in the forest.
While I feel that it works with the dirty modernist feel of 101
Dalmatians,
I’m not sure I agree that it elevates our current story. The
medieval setting calls back to Sleeping
Beauty,
but the comparison just makes me wish I was watching a better
animated film. The
best scene for the animation, I feel, is the Wizard Duel. The action
is pretty decently animated and it ends up paying off. It’s also
one of the few action scenes that has some real stakes, though those
stakes are pretty separated from the rest of the plot.
Regarding the narrative, I feel that this is my biggest issue with
the film. The plot seems confused or jumbled. This movie seems to be
a series of mostly unconnected vignettes. For example, there’s a
few “teaching” scenes between Merlin and Arthur. You’d think
that the lessons he learns in those scenes would then be used later
in the film, but it never is. They set up is there, but there’s no
payoff. Likewise, the whole message of the film seems to be something
like “Brains over Brawn,” which Merlin is always telling Arthur,
but it’s only really shown to be correct in the Wizard Duel.
Ideally, you’d want Arthur to internalize that message and use that
somehow in the climax of the film, but again, it never pays off.
On top of all this, Merlin actually seems to be a bad influence on
Arthur. He’s constantly getting Arthur in trouble. While you can
argue that Arthur is getting in trouble because Hector and Kay are
treating him unfairly, it’s also correct that Hector punishes him
because he’s shirking his responsibilities. Merlin convinces Arthur
to abandon these responsibilities to play and “learn” which he
considers more important. But I’m not sure this is the message we
want to be portraying to children, to abandon your responsibilities
for “learning.” Especially when this “learning” seems to just
be playing.
The big climax of the film, when Arthur pulls the sword out of the
stone, is immediately preceded by a scene of Merlin throwing a fit
because Arthur wants to keep his responsibility as a squire and go to
the tournament in London. If Arthur had followed Merlin’s wishes,
he would’ve never pulled the sword out of the stone and become the
king of England. I guess we’re supposed to forgive all this because
Merlin returns to help him reign, but it is just so weird that our
mentor character is constantly trying to undermine the main
character’s journey. If I were to rewrite this film, I’d have had
the sword pulling moment be in the middle of the film and continued
afterword to show how Merlin’s lessons made Arthur as fair and just
king. As it currently stands, it seems that too much of the film is
is about faffing about and that it ends before anything meaningful
actually happens.
Overall, I came off very negative, but I still like this movie. I feel its a good watch, especially for children, but the message and story is a bit muddled. The movie has good moments, but it doesn’t come together as a cohesive whole. Overall, a good bit of fun, but maybe look elsewhere for something substantive. Join us next week for The Jungle Book.
-CJ
Hello everyone!
Sorry about the delay last week; things should be back on track for
now. This week, we delved into medieval England with Disney’s The
Sword in the Stone. I really remember loving this film as a kid,
and I’d say it was probably one of my most watched VHSs as a kid.
That being said, looking at it with a fresh pair of eyes, I’m left
feeling disappointed.
At some point in the
film, Merlin describes the movies current time as a “medieval mess”
and that’s exactly what this movie is in every way, shape and form.
The jazzy music doesn’t fit in with the medieval setting, the story
is all over the place and, again, the animation is scratchy and looks
half-finished at times. All this just leaves me wondering why and
how? Why on earth did Disney decide to tackle The Sword in the
Stone after the financial failure of Sleeping Beauty? And
how on earth did this movie come to be?
While The Sword
in the Stone is nowhere in the same league as Sleeping Beauty,
there are still some similarities. Both have medieval themes; they
have some shared styles in their musical scores. There are even some
similarities in how they open; drawing inspiration from tapestries,
and how they open with story book entrances. This is where the
similarities end though. Where Sleeping Beauty takes off with
it’s amazing art, score and animation, The Sword in the Stone
sinks like a rock.
I really would like
to know more about the history of this movie, but I wasn’t able to
find much. What I did find is that the rights to T.H White’s The
Sword in the Stone were purchased by Disney in 1939, and story
boards were put together in 1949. The Sword in the Stone did
compete with another scrapped film about Chanticleer,
and there was high tension
between the animators after The Sword in the Stone was
picked by Walt
as the next Disney
movie. I can potentially see this causing some issues with the
animation in general, but there’s nothing to really confirm this. I
really think Walt wanted this to be a brother film to Sleeping
Beauty, and to see if there
was a viable market for this kind of film. Again, if that’s the
case we’ll never really know, as this was the last movie to be
released before Walt’s death in 1966.
That being said, let's look into the animation of this film.
I understand that
we’re still in the early days of xerography, but, man… this movie
looks bad… Base sketch work can still be scene in the frames of
animation, and it’s not uncommon to see full outlines for faces.
Hair is scratchy, and seems to grow and shrink at will; eyes are
wild, and half the characters look like their head will explode at
any moment. Along with that there’s an absolute ton of reused
animation here. We see a lot of it borrowed from the Headless
Horseman’s steed in The Legend of Sleepy Hollow, and Bambi’s
mother shows up within the first 5 or 7 minutes of the film. There’s
also recycled animation from 101 Dalmatians in here, when Sir
Kay gets hit on the head. I realize the average movie goer wouldn’t
have recognized this back in 1963, but it stands out like a sore
thumb now. All of the reused animation just looks sloppy and out of
place, and there’s some pretty glaring issues here and there.
I could at least
take some delight in how well the music for 101 Dalmatians fit
in with the styling, and the time of the film. However, mixing jazz
and the dark ages together doesn’t work at all here. That’s not
to say that the music itself is bad, it’s standard fun and bouncy
Disney fare made by the Sherman Brothers. This kind of music will be
fairly standard through the upcoming films as the Sherman brothers
also wrote music for The Jungle Book and
The Aristocats.
I’m also at a loss
of the story and pacing of this film. We start off in July and
suddenly it’s Christmas? There’s no showing of the turning of
seasons or really any reminders that there’s going to be a
tournament at the end of the movie. Half way through the movie, I’d
almost forgotten why Arthur wanted to become Kay’s squire in the
first place. The middle of the film is just filled with Arthur and
Merlin on small various adventures, and recapping the lesson at the
end. Even so, I don’t really feel that the lessons learned are
really that well set up, or really expanded on to how they’re going
to help Arthur in the long run. I really wish there had been more
development through the middle of this film. I feel that we start on
a good set up, and leave on a good end. I could even see Disney
making a sequel out of this, since it puts Arthur on the throne at
the end. However, there’s just nothing substantial filling out the
center of this movie. There doesn’t seem to be much developmental
or emotional growth through the cast, and at the end I don’t feel
like Arthur is even remotely qualified to be king.
I remember liking
this film and even though I’ve had so much bad stuff to say about
it I still do like it. Even though it’s disjointed and messy,
there’s something charming about it. I guess my main disappointment
is to see how the mighty have fallen. Disney was such a paramount in
the animation industry and at this stage it’s more like watching
someone die a slow and painful death. Nothing the company does seems
to working. This film doesn’t really make any sense and if anything
I would’ve thought that this was the film that would’ve sunk
Disney. All I can really do at this point is hope that something gets
better, and even though I say that, I know we’ve really started
entering the dark times. We’ll be back next week to review Disney’s
1967 film, The Jungle Book.
-AJ